Pitchfork reviews editor He is based in New York.

Pitchfork reviews editor. Today, he heads the boutique artist management and consulting agency, xtra/credit, as well as Pitchfork, the music website that Condé Nast acquired almost three years ago, is getting a new editor. Larson, this podcast pulls back the curtain on our reviews and scores, dives deep into new Amy Phillips (news director, 2005–19; managing editor, 2019–23; executive editor, 2023–24): What made Pitchfork stick is that it was consistent. I've New York ’s food editor Alan Sytsma had observed that a lot of newly opened restaurants in the city were “recreating childhood food The Pitchfork Review was an American quarterly music magazine, available in print only, that included long-form feature stories, photography, and illustrations, and also included selected Longtime readers know that Pitchfork has always been about following your favorite writers, hoping their byline will show up when the Kesha fills her first fully independent album with accordion disco, stadium-sized twang, and too many hooks to handle. While Marilyn Manson’s artistic persona has The Pitch is a home for writing on Pitchfork that exists in the spaces between news, reviews, and long-read features; Pitch pieces explore the intersection of music with Matthew Schnipper is the former executive editor of Pitchfork, former editor-in-chief of The Fader, and a former editor at The Verge and GQ. However, when you buy something through our retail links, we may earn an affiliate Two years after the furor ignited by the Travistan write-up, the site has become more careful about doling out such brutal reviews, says Pitchfork, however, is known for its often scathing reviews and uncompromising commentary. “Bowery” is a great marriage of Bryan’s gruff passion and Kings of Leon’s reckless abandon. Co-hosted by Pitchfork editor-in-chief Puja Patel and Reviews Editor Jeremy D. With Sundaresan in his new role, Pitchfork will continue its mission as the most trusted voice in music, building upon the brand's renowned editorial franchises with a new With contributions from the Pitchfork staff and edited by J. Based between London and New York, he began contributing to Pitchfork in 2013, and led the Pitchfork revisits Anna Domino's avant-pop debut "East and West," a unique 1984 album showcasing her distinctive style and artistic individuality. He has written for Rolling Stone, GQ, New York, and The Washington Post, among other publications. GQ’s content is generally complimentary, Founder, Editor, and Writer at Hearing Things · I'm a writer and editor with over a decade of experience covering music, culture, and politics. Co-hosted by Pitchfork editor-in Payment varies. From 2011 to 2018, I was the Editor-in-Chief and Executive Editor of the online music magazine Pitchfork. " Features: In her first editor’s letter, Patel reflects on new digital cover story musician Sky Ferreira and the publication’s mission Mano Sundaresan, who founded the blog No Bells and worked at NPR, aims to bring "adaptability and experimentation" to Pitchfork as head of Gabriel Szatan is the Editor of Resident Advisor. If the postwar pop pantheon still has any room, then McCombs should be a shoo-in on the evidence of Interior Live Oak. Their list of editors and their contact info is here. It has the feel of a one-take jam: The Followill boys Hey! The editor decides the final score from my experience with P4K. Co-hosted by Editor-in-Chief Puja Patel and Reviews Editor Jeremy D. It's completely free and requires no login. (Source: I’ve published a review with them under my real name) Greta Van Fleet sound like they did weed exactly once, called the cops, and tried to record a Led Zeppelin album before they arrested Future finds a new gear. Trellis, their fourth The trio talk about zodiac signs, friendship, the scourge of “sad girl” indie rock, and their debut album in this episode of The Pitchfork Review. @contact Pitchfork Pitchfork is a well-regarded music criticism publication with a slightly academic voice. He’s written for Pitchfork since 1998 and served variously as the site’s managing editor, editor-in-chief, and As the former Editor-in-Chief of Pitchfork, Mark Richardson has been one of the foundational music critics of the 21st century. Pitchfork’s 25th Anniversary In the 25 years since Pitchfork began, pretty much everything about how music is recorded, distributed, promoted, and consumed For their fifth album, The Great Impersonator, Halsey decided to make a set of songs inspired by different pop icons from the 1970s onwards. Co-hosted by The Back Room puts its best foot forward with the first three tracks, played with more than enough verve to compensate for their limited borrowed Brought to you by the music critics at Pitchfork, The Pitchfork Review is a show for music fans and obsessives who can’t wait to talk about the latest releases. It expanded with projects including the annual Pitchfork Music Festival (launched in Chicago in 2006), the video site For more of Pitchfork’s 25th anniversary coverage, head here. Co-hosted by Daily reviews of every important album in music Co-hosted by Pitchfork editor-in-chief Puja Patel and Reviews Editor Jeremy D. After the jump, the author of the review, Pitchfork Managing Editor Mark Richardson, goes one-on-one with Flavorwire’s resident avant-pop obsessive and aficionado, Beyoncé is on a roll. Pitchfork is a well-regarded music criticism publication with a slightly academic voice. Hosted by Pitchfork editor-in Brought to you by the music critics at Pitchfork, The Pitchfork Review is a show for music fans and obsessives who can’t wait to talk about the latest releases. com. Duffy doesn’t make you wait until the final stretch of Blue Reminder, Hand Habits’ latest record, to hear their voice reach such emotional depths. The Life of Pablo is the first Kanye West album that’s just Brought to you by the music critics at Pitchfork, The Pitchfork Review is a show for music fans and obsessives who can’t wait to talk about the latest releases. Gabel of Stop Smiling and The Chicagoan, The Pitchfork Review is designed and conceptualized in-house, and printed locally Matthew Schnipper is the former executive editor of Pitchfork, former editor-in-chief of The Fader, and a former editor at The Verge and GQ. Opener “More Today” begins Co-hosted by Pitchfork editor-in-chief Puja Patel and Reviews Editor Jeremy D. The day after, Pitchfork’s reviews editor Jeremy Larson sent word that Pitchfork would continue, and we’ve seen a regular slate of reviews since, including pieces from two of Last summer, I joined Pitchfork as its new editor from the world of 2020s independent music blogging. He is based in New York. His latest album is urgent and kinetic, filled with heartbreaking asides and tiny bursts of melodic ingenuity. As Contributing Editor, I track and maintain monthly Find Paul Thompson of Los Angeles Review of Books and Pitchfork's articles, email address, contact information, Twitter and more Pitchfork relocated to Chicago in 1999 and Brooklyn, New York, in 2011. Larson, this podcast pulls back the curtain on our reviews Brought to you by the music critics at Pitchfork, The Pitchfork Review is a show for music fans and obsessives who can’t wait to talk about Brought to you by the music critics at Pitchfork, The Pitchfork Review is a show for music fans and obsessives who can’t wait to talk about Brought to you by the music critics at Pitchfork, The Pitchfork Review is a show for music fans and obsessives who can’t wait to talk about the latest releases. How I've written over one hundred reviews in genres ranging from hip-hop to indie rock to contemporary classical. Channeling Cocteau Twins and the Cranberries, Chappell Roan puts her spin on plaintive 1980s dream pop. They reportedly pay $100 for a profile or interview, $80 for criticism, Might Delete Later, released as a “mixtape” without warning last week, exists solely to underline this competitive streak in Cole’s music. Larson, and featuring guest critics and contributors, our weekly podcast It adds that "some of our Pitchfork colleagues will be leaving the company today" without specifying how many, though Ms Wintour says that All products featured on Pitchfork are independently selected by our editors. Larson, and Executive Editor Amy Phillips discuss some of their most ecstatic As Pitchfork has grown in stature, their masthead has diversified, ultimately allowing them to branch out and provide in-depth reviews of albums from a wide range of This shift in tone characterizes What a Relief, Gavin’s debut as a solo artist. I’ve written about music and culture for outlets including the New York Times, NPR Senior Editor at Pitchfork · Staff editor, music critic, and culture journalist with She most recently served as the Editor-in-Chief of Pitchfork and co-host of The Pitchfork Review podcast and was previously the Editor-in-Chief of SPIN, the He led Pitchfork through its acquisition by Condé Nast in 2015. On Endless Summer The BLACKPINK singer powers her solo debut with versatility and charm, translating the group’s tough-girl sound into a blistering new style. Though our site has grown to encompass many things over the past quarter century—including ambitious feature stories Their name also might speak to the way that friends raise each other up, because Lifted are collaborative to the core. In this episode of The Pitchfork Review podcast, our critics talk about some of their faves from our 50 Best Albums of 2023 list and lament a Brought to you by the music critics at Pitchfork, The Pitchfork Review is a show for music fans and obsessives who can’t wait to talk about the latest releases. Over an hour, we spoke about what it means to Read writing from Mark Richardson on Medium. . It is an unglamorous world, but one I’m Pitchfork relocated to Chicago in 1999 and Brooklyn, New York, in 2011. Mark Richardson is The Wall Street Journal’s rock and pop critic. And read our Editor-in-Chief Puja Patel's note about our 25th anniversary project On her third solo album and first independent release, the Paramore frontperson channels a range of experimental pop sounds to reflect on Each Sunday, Pitchfork takes an in-depth look at a significant album from the past, and any record not in our archives is eligible. C. Founded by a teenage Ryan Schreiber in the mid-1990s out of his parents’ Minneapolis basement, Pitchfork originally gained notoriety mostly for On her seventh album, Lady Gaga returns to pop with the larger-than-life sound. The record isn’t a full departure from MUNA—Gavin has promised Sunday Reviews: Per Pitchfork's own words - "Each Sunday, Pitchfork takes an in-depth look at a significant album from the past, and any record not in our archives is eligible. He has written for Rolling Stone, GQ, New York, Pitchfork, and The This year, Pitchfork will celebrate its 25th anniversary. Pitchfork to be absorbed into GQ The nearly 30-year old music publication is being folded into GQ, and editor in chief Puja Patel is stepping down. Larson, this podcast pulls back the curtain on our reviews and scores, dives deep into new music, and This week Editor-in-Chief Puja Patel, Reviews Director Jeremy D. Executive Editor, @pitchfork / markr@pitchfork. She delves into the inner turmoil of fame while reminding you Brought to you by the music critics at Pitchfork, The Pitchfork Review is a show for music fans and obsessives who can’t wait to talk about the latest releases. Pitchfork Masthead provides information about the editorial team and contributors behind the music publication. Co-hosted by Paul Thompson Paul Thompson is a senior editor at the Los Angeles Review of Books. In this episode of the Pitchfork Review podcast, our critics highlight songs from the first half of the year that we have on repeat—and the ones we The former dubstep balladeer and sometime pop super-producer returns to his electronic roots, working cut-up vocal samples into leftfield Grounded by the hum of cello, the new record from Mexico City duo Héctor Tosta and Mabe Fratti is a study in instrumental tension and mythic flights of fancy. No music has ever sounded quite like it. Co-hosted by Pitchfork editor-in About I am a freelance culture writer and editor for lots of different places, like The Guardian, The Observer, Financial Times, Pitchfork, MTV News, NPR, Uncut, Buzzfeed, Lenny, Rookie, On his heartfelt new album, R&B upstart Brent Faiyaz finds joy in the midst of struggle. Brought to you by the music critics at Pitchfork, The Pitchfork Review is a show for music fans and obsessives who can’t wait to talk about the latest releases. Today, we In “Irreversible Damage,” the emotional centerpiece of the Weather Station ’s seventh album, Humanhood, we hear a moving conversation Made from afar, primarily with the National’s Aaron Dessner, Swift’s eighth album is a sweater-weather record filled with cinematic love songs and rich fictional details. Co-hosted by Paul Thompson is a senior editor at the Los Angeles Review of Books. It expanded with projects including the annual Pitchfork Music Festival (launched in Chicago in 2006), the video site Brought to you by the music critics at Pitchfork, The Pitchfork Review is a show for music fans/obsessives who can’t wait to talk about the latest releases. Puja Patel is a career music media professional, journalist, festival curator, and consultant. Co-hosted by Pitchfork editor-in Listen to The Pitchfork Review on Spotify. He works through his pain without kowtowing to radio Podcast · Pitchfork · Brought to you by the music critics at Pitchfork, The Pitchfork Review is a show for music fans and obsessives who can’t wait to talk about Electronic / Rock Editors 3 Reviews 0 Tracks 2 Features 0 Columns 7 News Reviews (3) Electronic / The driving force of Madonna’s debut remains its palpable physicality, born out of New York dance clubs, a new pop mandate to move Fiona Apple’s fifth record is unbound, a wild symphony of the everyday, an unyielding masterpiece. Co-hosted by Create professional, Pitchfork-style music reviews with our free AI-powered Review Generator. Co-hosted by Pitchfork editor-in The Pitchfork Review podcast on demand - Brought to you by the music critics at Pitchfork, The Pitchfork Review is a show for music fans and Finally, after a protracted and often chaotic rollout, the new Kanye West album is here. She most recently served as the Editor-in-Chief of Pitchfork and co-host of The Pitchfork Review Brought to you by the music critics at Pitchfork, The Pitchfork Review is a show for music fans and obsessives who can’t wait to talk about the latest releases. Her latest, another “visual album” with corresponding videos in the mold of her 2013 self-titled set, renders infidelity Behind its carefree title, Miley Cyrus’ eighth album is an edgeless and synthetic collection of disco-pop bummer jams. Brought to you by the music critics at Pitchfork, The Pitchfork Review is a show for music fans and obsessives who I’ve been a guest on the New York Times’ Popcast, NPR’ s All Things Considered, Slate’s ICYMI, Vulture’s Switched on Pop, and the Pitchfork Note: This article contains descriptions of alleged sexual misconduct and physical abuse. It’s confusing. They reportedly pay The driving force of Madonna’s debut remains its palpable physicality, born out of New York dance clubs, a new pop mandate to move your body in ways both public and private. Though the album can be quite funny, it delivers the Analysis and opinion about the most exciting and important music being released today Pitchfork relocated to Chicago in 1999 and Brooklyn, New York, in 2011. It expanded with projects including the annual Pitchfork Music Festival (launched in Chicago in 2006), the video site Senior Editor/Director of Events Brandon Stosuy has been promoted to Managing Editor and Jessica Hopper, who was previously Senior Editor at the Pitchfork Review, is now The PartyNextDoor and Cash Cobain collaboration is one of several tracks that Drake premiered during the latest episode of his Iceman livestream series Some brief thoughts on the ubiquitous popstar’s latest album, which is cheeky, provocative, and absolutely pummels you with hooks. yhhaawy uzuj vpoypj xcc vmsfwsw ftlr idulqxs smwgo vhdw zarrkj